Lord Sundareswarar (Shiva) the consort of Goddess Meenakshi is to the north of Kilikoontu Mandapam . On your way you can worship a gigantic idol of Sri Ganesh called Mukkurini Pillaiyar. When the king Thirumalai Nayakar excavated a temple tank 3 km from Meenakshi temple he unearthed this idol of Vinayaka and erected the same here.

     In the outer pragaram there is stump of the kadamba tree, which is said to be a part of the same tree under which Indra worshipped Shiva linga. Also in the outer corridor there are the Kadambathadi Mandapam and big hall called 'Velli Ambalam'. Here, an idol of Nataraja (Shiva as the Lord of Dance) is seen. This idol of Nataraja is covered with silver leaves. Hence this hall is named as Velli Ambalam (Silver Hall).


     It is the 'wonder of the palace'. Actually the number of pillars count to 985 beautifully decorated columns. Each pillar is sculptured and is a monument of the Dravidan sculpture. There is a Temple Art Museum in this 1000 pillars hall where you can see icons, photographs, drawings, etc., exhibiting the 1200 years old history. There are so many other smaller and bigger mandapams in the temple.

     Just outside this mandapam, towards the west, are the Musical Pillars. Each pillar when stuck, produces a different musical note. The kalyana mandapa, to the south of the pillared hall, is where the marriage of Shiva and Parvati is celebrated every year during the Chitirai Festival in mid- April.

     This temple tank is an ancient tank where devotees take bath in the holy water. According to mythology, Indra from Devaloka entered this tank and it was filled with golden Lillies. It is said that the tank was also, used to judge the literary merit of the manuscripts of poets and authors. When placed on the water, the manuscripts would float supported by a plank if its value was considered worthy: otherwise it would sink to the bottom. This testing miraculous plank was called 'Sanga Palkki' (sanga plank) and can still be seen in the temple museum. This tradition amply substantiates the view that Madurai once a centre of learning and erudition. The Pandyan kings were great patrons of arts and letters. One of the first monarchs of the dynasty, Ugra Paruvaludi (128-140 A.D.) is gratefully ,remembered for the patronage he extended to poet Tiruvalluvar.

     This big hall is adjacent to Ashta Shakthi Mandapam, consisting of 110 pillars carrying the figures of a peculiar animal with a lion's body , and an elephant's head called Yalli.

     There are 12 temple towers(Gopurams). The outer towers are the landmarks of Madurai. They are:

* East Tower (Nine Storeys). Height 161'3". This Gopura has 1011 sudhai figures.
* South Tower (Nine Storeys). Height 170'6". This Tower has 1511 sudhai figures.
* West Tower (Nine Storeys). Height 163'3". This Tower has 1124 sudhai figures.
* North Tower (Nine Storeys). Height 160'6". This Tower has lesser figures of sudhai than other outer towers.

     There are in all eleven towers to this temple, the largest and most beautiful being the one on the southern doorway. Rising to a height of about 70 metres, this impressive 'gopuram' is by far the most ornate and florid of the Dravidian towers. It has nine stories and crowded with grinning gargoyles and gryphons that perch on the ornate curved edges. The surface of the 'gopurams' on the southern door way is covered with plastic figures of deities and semi- divine characters, freely sculptured and drawn from Hindu mythology representing the appearance of a pulsating mass of masonry. With frequent renovations and additions being done down the centuries, there are more than 1,600 sculptured figures. An interesting incident is revealed by the local people which happened during the time of renovation work in 1923 A.D. While depicting the coronation of Meenakshi, the artist out of his own imagination included the figure of Mahatma Gandhi among the figures of audience. Some British officers who noticed it seem to have taken objection to it. It is understood that the figure of Gandhi was altered to depict a sage with a long beard. During the year 1960A.D., some of these figures were completely rebuilt and painted with gorgeous colours at great cost by Nattukottai Chettis. The northern 'gopuram' long known as "Mettai" is no longer there since a courageous Chetty endowed it with the plaster top; still it carried terracotta figures. No one enters or leaves the temple by the eastern tower which has become a taboo since a temple employee flung himself down from its top in the reign of Chokkanatha nayaka as a protest against an unjust levy. Visitors generally enter by the Ashta Lakshmi Mandapam.


     The entrance to the temple by way of Meenakshi Nayakan Mandapam and also the Pudhu Mandapam is packed with stalls and shops which sell all sorts of things and spoil the dignity and beauty of the structures. At the farther end of the mandapam is a door way surrounded by a brass frame covered with scores of oil lamps lighted daily.

     The high point of Meenakshi temple is its celebrated "Court of Thousand Pillars". Built around the year 1560A.D., it is a great work of structural engineering as well as sculpture and art. Every one of its thousand pillars is subjected to an amazing variety of ornate carvings. the sculptured figures of a nomadic tribe called Kuravi and his wife at the entrance itself are very interesting. There is an eye-catching sculpture of a main carrying a woman on his shoulders . From any point inside the Hall of pillars, it presents a magnificient view.

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